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首页-学者-项目-英语-教师-Theresa Kenney, Ph.D.

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Theresa Kenney received her Ph.D. from Stanford 大学. Her re搜索 interests include 17th-century lyric, 简·奥斯丁, Arthurian literature, Medieval and Renaissance 英语 and European literature, 但丁, and the 19th-century novel.

B.A. 英语 and Classics, Pennsylvania State 大学
M.A. 英语, 大学 of Notre Dame
Ph.D. 英语, Stanford 大学
Literary Tradition I, II, III, IV
简·奥斯丁
Arthurian Romance
查尔斯·狄更斯
Medieval Lyric and Romance
宗教抒情
莎士比亚
约翰·多恩
17th-Century Lyric
简·奥斯丁
Arthurian Literature
Medieval Literature
Renaissance 英语 and European Literature
但丁
19th-Century Novel
  • All Wonders in One Sight: The Christ Child among the Elizabethan and Stuart Poets, 大学 of Toronto Press, 2021.
  • "Don’t know much about history: History and Histrionics, Moderation and Passion in Northanger Abbey.“这两人. 即将到来的.
  • "Sensualiter Tangitur": The Christ Child ‘Born a Martyr’ in 约翰·多恩's Sermon for 1626年圣诞节.” 约翰·多恩 Journal. Under consideration.
  • “A Tale of Two Captains: Whose Heart Is Worth Having?“这两人 Online 39.1 (2018).
  • “The Nativity in the Middle Ages through the Reformation.” In The Encyclopedia of the Bible and Its 接待. Edited by Rachel Fulton Brown and Rika Spiekermann. 柏林: De Gruyter. 即将到来的.
  • “The Manger in the Early Modern Period.” In The Encyclopedia of the Bible and Its 接待. Edited by Rachel Fulton Brown and Rika Spiekermann. 柏林: De Gruyter, 2019
  • “’This pomp is prizèd there’: Southwell’s Challenge to Courtly Identities in His Nativity 歌词.” In Precarious Identities: The Works of Fulke Greville and Robert Southwell. Edited by Vassiliki Markidou and Afroditi-Maria Panaghis. New York: Routledge, 2019.
  • “‘God did play the child’: Robert Southwell’s ‘Christes childhood.’”再版 Literature Criticism from 1400-1800: Robert Southwell, Volume 258. Gale/Cengage Learning, 2017. 194-198:
  • “Benevolence and Sympathy in Emma.“这两人 38 (2017): 66-80
  • “Why Edward Ferrars Doesn’t Dance.” In 简·奥斯丁’s Sense and Sensibility. Ed. by 埃莉诺Donlon. San Francisco: Ignatius Press, 2015. (shorter version of essay published 在两人)
  • “Why Tom Bertram Cannot Die.”Persuasions Online 35.1 (2014).
  • “‘God did play the child’: Robert Southwell’s ‘Christes childhood.’”《云顶集团4008om》第17章.3(夏天 2014): 170-80.
  • “The Christ Child on Fire: Robert Southwell’s Mighty Babe.”43.3 (2013): 415-45.
  • “Why Edward Ferrars Doesn’t Dance.“这两人 34 (2013): 155-68.
  • "Anne De Bourgh Smiles.“这两人 Online (2013).
  • “The Heroic Cicatrix and Bleak House,” with Cheryl Kinney, M.D. Dickens Quarterly 30.4 (December 2013): 267-77.
  • The Christ Child in Medieval Culture: Alpha es et O! Co-edited with Mary Dzon. 大学 of Toronto Press, 2012.
  • "The Christ Child on Fire: Robert Southwell's Mighty Babe.elr 42.2 (2012). 即将到来的.
  • "简·奥斯丁, Revolution, Socialist Realism, and 接待: A Response to Helong Zhang's '简·奥斯丁: 100 Years in China.'“这两人 33 (2012).
  • "Aisha, Rajshree Ojha's Urban Emma: Not Entirely Clueless.“这两人 Online 32.1 (2011年冬季).
  • "Why Edward Ferrars Doesn't Dance." In 简·奥斯丁's Sense and Sensibility. Ed. by 埃莉诺Donlon. San Francisco: Ignatius Press. 即将到来的.
  • "Mansfield Park and the Conscience Outside the Self." In 简·奥斯丁's Mansfield Park. Ed by 埃莉诺Donlon. San Francisco: Ignatius Press, 2010.
  • "Compassion and Condemnation in Wuthering Heights: Mediation, Christianity, and the 神秘的." In Wuthering Heights. Ed. by Joseph Pearce. San Francisco: Ignatius Press, 2008.
  • "'Slyness Seems the Fashion': Dexterous Revelations in Pride and Prejudice.“这两人 27 (2006).
  • "'As she was not really Mrs. Croft': Playing the Admiral's Wife in Bath.“这两人 26 (2005).
  • "The Infant Christ as Inspiration to the Anglo-Saxons." Southwest Commission on Religious Studies, March 2003.
  • "Arcangela Tarabotti, Venetian Humanist and Nun." Canticle, 2000.
  • "From Francesca to Francesco: Transcribing the Tale of Passion from the Inferno to the Paradiso, or Thomas Aquinas as Romancier." Religion and Literature 31.1 (1999).
  • "Women Are Not Human": An Anonymous Treatise and Responses.  NY: Crossroad, 1998.
  • 约翰·多恩's Conversion from Misogyny." 英语 Renaissance Prose 6 (1997-98).

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